![]() ![]() Ideally, before you even start drawing, you should decide on the focal point for your work, as well as choose suitable points of interests. Rather than the usual ‘eye-level’, an interesting angle could be from relatively low down, perhaps lying on a blanket, or from high above, such as sitting on a hill or in a ranger's raised hide.Ī very wide angle showing a big part of the landscape can be just as intriguing as a close-up of those mushrooms growing from a lonely tree stump. You could try a vertical view to show only a small part of the scene, or go for square or even super long to spice things up. While most of us will probably instinctively think of a horizontal format for a nice beach or forest scene, in many cases other formats will work equally well. Here's an article by Marion Boddy-Evans to show you how. Viewfinders are basically a small, portable frames that you can hold up and move around to find a good composition.Īmazon sells plastic ones, but in the spirit of sustainability you can also make your own by cutting out two L-shaped parts from leftover cardboard. You can use a viewfinder to pick a specific part of a view that will work well as a sketch. There's just so much beauty to choose from. And your viewers will be none the wiser.īecause nature is so vast it can be difficult to decide which part of a view to include in your drawing. You can add a stream to balance your composition, give a hedge a little trim if it's too prominent. You can move branches or entire trees if they're in the way. ![]() Unlike other subjects, such as architecture or portraits, in a landscape your audience often cannot tell if you have been faithful to reality or making allowances. Have a look at my post 7 great Exercises to Improve your Landscape Drawing Skills for an exercise that builds up on this.Īs I've mentioned in my article Why Drawing Landscapes is so Popular (and so Good for your Art), one of the best parts of sketching outdoor views is that you can easily edit them. See how I used a lot of adjectives there, like 'calm', 'lush' or 'smooth'? Those are excellent to work out how to best draw those parts and hone in on possible points of interest. There are smooth brown hills in the background and a few fluffy white clouds in the sky". Something like "I see a calm, dark blue lake, framed by a group of lush, deciduous trees. Then describe it in one or two sentences, verbally or on a piece of scrap paper. You'll have an easier time choosing a specific view and won't get side-tracked so much.īefore you start drawing you should take a moment and have a good look at the scene. That could be "a forest scene with several trees" or "a close-up of plants near the beach". When everything is dry I take the landmarks of the 1st plan and I can use acrylic or oil for this plan.If you often get overwhelmed by the sheer amount of picturesque views, I find it helps to decide on a rough theme before you leave the house. I do 2 or 3 passes and I have a foggy backdrop with barely visible tree trunks. I wait 2 hours for everything to dry, I prepare a very liquid solution of blue and white in acrylic and I paint the canvas background with this solution with a large paintbrush. I paint with acrylic the background of the canvas. If the painting I’m copying has a foggy canvas background (it’s a forest landscape) where you can barely see tree trunks in the background barely visible because of the morning mist, I take, at the beginning, the landmarks of trunks and floor details. I thus have the abscissas and ordinates of the important points. The 6 cm on the photo correspond to 11.9 cm on the canvas. I measure from the edge of the photo to the tree and I am 6 cm, and I am on the long side of the photo (25.1). Its width is say 20.1 cm, its length 25.1 cm. I divide the width in pixels by the length in pixels and I get say 0.80. I press a button to get the size in pixels. ![]() I download paintings that I like from the internet. ![]()
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